by Donald Gjoka

‘Neon colors and oversized constructed shoulders met camouflage, lace and jeans..’ S/S 2017 on COEVAL Magazine

see the whole article and photos here photos by Donald Gjoka Girl power ruled the show at Lutz Huelle that was kept in the underground space of Palais De Tokyo. Neon colors and oversized constructed shoulders met camouflage, lace and

by Donald Gjoka

‘Neon colors and oversized constructed shoulders met camouflage, lace and jeans..’ S/S 2017 on COEVAL Magazine

see the whole article and photos here photos by Donald Gjoka Girl power ruled the show at Lutz Huelle that was kept in the underground space of Palais De Tokyo. Neon colors and oversized constructed shoulders met camouflage, lace and

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‘This was precision defined.’10 Magazine on S/S 2017

See the whole article and photos here There’s a bit of a shoulder situation going on in Lutz Huelle’s SS17 collection. A bit might actually be an understatement. There’s some shoulder going on and it’s a statement making shoulder. Which

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‘This was precision defined.’10 Magazine on S/S 2017

See the whole article and photos here There’s a bit of a shoulder situation going on in Lutz Huelle’s SS17 collection. A bit might actually be an understatement. There’s some shoulder going on and it’s a statement making shoulder. Which

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‘.. clever and desirable at once.’ Philippe Pourhashemi on S/S 17 on Diane Pernet’s ASVOF

to see the whole article please click here Dear Shaded Viewers, Lutz Huelle presented an engaging and confident collection yesterday, with a focus on strong outerwear and graphic shapes. A raised shoulder trench set the tone, while the collection offered

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‘.. clever and desirable at once.’ Philippe Pourhashemi on S/S 17 on Diane Pernet’s ASVOF

to see the whole article please click here Dear Shaded Viewers, Lutz Huelle presented an engaging and confident collection yesterday, with a focus on strong outerwear and graphic shapes. A raised shoulder trench set the tone, while the collection offered

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‘..the speed and impact of his collection was immense’ Tony Glenville on S/S2017 on SCHON Magazine

for the whole article click here Lutz Huelle totally understands how to move his signature on each season, how to create desirable clothes and how to present them. The speed and impact of his collection was immense as each outfit

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‘..the speed and impact of his collection was immense’ Tony Glenville on S/S2017 on SCHON Magazine

for the whole article click here Lutz Huelle totally understands how to move his signature on each season, how to create desirable clothes and how to present them. The speed and impact of his collection was immense as each outfit

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‘Lutz Huelle, le moment d’un visionnaire’ Isabelle Cerboneschi on S/S 2017, Le Temps

read the whole article and see the pictures here Il y a quelque chose, dans les collections de Lutz Huelle, qui génère le désir. Mais pas un désir qui relève d’un coup de foudre au premier regard, c’est beaucoup plus

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‘Lutz Huelle, le moment d’un visionnaire’ Isabelle Cerboneschi on S/S 2017, Le Temps

read the whole article and see the pictures here Il y a quelque chose, dans les collections de Lutz Huelle, qui génère le désir. Mais pas un désir qui relève d’un coup de foudre au premier regard, c’est beaucoup plus

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‘..Il crĂ©e des vĂŞtements, mais provoque une rencontre. La redĂ©couverte d’une pulsion qu’on a en nous, et qu’il nous permet d’exprimer.’ Elisabeth Clauss on S/S 2017 in ELLE Belgique

10 ans après le lancement de sa propre marque, on sent le changement de focale chez le designer “parisien-allemand”, qui a longtemps Ă©tĂ© le bras droit de Martin Margiela. « Cette collection, c’est ma retranscription de mon ressenti de l’Ă©poque.»

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‘..Il crĂ©e des vĂŞtements, mais provoque une rencontre. La redĂ©couverte d’une pulsion qu’on a en nous, et qu’il nous permet d’exprimer.’ Elisabeth Clauss on S/S 2017 in ELLE Belgique

10 ans après le lancement de sa propre marque, on sent le changement de focale chez le designer “parisien-allemand”, qui a longtemps Ă©tĂ© le bras droit de Martin Margiela. « Cette collection, c’est ma retranscription de mon ressenti de l’Ă©poque.»

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‘Part of Huelle’s appeal is his ability to blow ideas up and tone them down, to mix commercial appeal with fantasy. Here, he was spot on..’ Katya Foreman on S/S 17, Womens Wear Daily

click here for the whole review and photos   The setting for this upbeat, club-infused collection couldn’t have been more fitting: the industrial basement of the Palais de Tokyo Lutz Huelle pumped up volumes to sandwich-board proportions, playing on material

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‘Part of Huelle’s appeal is his ability to blow ideas up and tone them down, to mix commercial appeal with fantasy. Here, he was spot on..’ Katya Foreman on S/S 17, Womens Wear Daily

click here for the whole review and photos   The setting for this upbeat, club-infused collection couldn’t have been more fitting: the industrial basement of the Palais de Tokyo Lutz Huelle pumped up volumes to sandwich-board proportions, playing on material

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LUTZ HUELLE S/S 2017 ‘How to define a shoulder without using pads or padding, a sort of natural sharpness that almost happens by chance ? I widened the shoulderline of a trench and shirt to a point where I could then just refold it onto itself, creating a small angular shoulder and adding volume to the body at the same time. Cut into denim jackets using even more volume in denim or contrasting orange cotton crepe creates the illusion of an even bigger shoulderline while keeping the real shoulder tiny underneath. Thinking more about paradoxes I was wondering how to treat camouflage in the exact opposite way of what it is supposed to do (make you disappear). The answer was to simply line it with the hottest of hot pinks, thereby rendering it useless for anything else but looking hot. V necks are cut into military parkas and denim jackets, elongated with either fluid crepe or heavy lace they turn into summer dresses. A few ideas from past seasons resurface – the spiral skirts from 2004 become spiral dresses, curving around the body, and a cardigan cape from 2012 becomes a tailored jacket, Its constructed front turning into fluid cape in the back. Finally boots and pumps produced in collaboration with Robert Clergerie are cut in the same fabrics as the pants of the Collection. Elongating the silhouette, they effectively eliminate the ever complicated question of which shoes to wear with which outfit.’